Spinning with DJ Jacob

Ah finally!! A full coloured figure in action! This one took a total of 90 hours to complete over a period of 10 weeks. Again I did the math. 90 hours is the amount of time used to create 1 second of the animation above. If we spend 24 hours each day working on a full length feature animation (90mins), it would take the twelve of us 55.5 years to complete it. Ehhh... no. 

But if you are interested to know, it's been done before. The Old Man and The Sea by Earnest Heminngway was adapted into a short 20 minute film done entirely in oil. :) https://www.youtube.com/watch?v=W5ih1IRIRxI

Artists from the full figure painting studio (in order that they appear): 

Richard Davis, Richard Walker, Ashish Patel, Jeffrey Wood, Masako Kazue, Alvin Tan, Alice Atoniacomi, Rishabh Sud, Nancy Wolfe, Saara Kauhenen, Dianna Talib & Mahlia Qureshi.

Here are two more turnarounds which I was privileged enough to be a part of: 

1) http://alvinmarktan.blogspot.it/2014/02/animated-model.html

2) http://alvinmarktan.blogspot.it/2014/04/spinning-with-dj-rony.html

Still Life: Spring Picnic

Spring Picnic

48cm x 38cm

Oil on Canvas

Available

(This image shows a near to completed piece.)

Behind the Scenes
Setting up props for a still life set can take hours, days and even weeks. A good starting point as to go about having the idea is not to think of a narrative. "I would like to paint Grandma's sewing machine because it brings back wonderful memories for my mom" shouldn't be the way to start a still life project. One has to, in fact, think of the objects visually.  The first thing your audience sees would be the colours, then how the objects intertwine with each other.  Three seconds is all you have before your viewer decides to stay or walk away from your piece.

I began Spring Picnic with a traditional chinese thermal flask. The Clementines were in season at the local supermarket, and so were the plum branches at the flower truck parked outside school.  Slowly, an image of a typical Springtime scene in maybe China or Japan began to emerge. A schoolmate mentioned that the scene reminded her of her ice skating adventures in Canada. Go figure!! And thank you to another schoolmate from Japan who gave this piece its title!

To keep the Plum flowers alive, I attached wet cotton balls 

to the base of the branch and GLADly wrapped it.

The idea or gathering of items took three days. And the setting up, another 3 hours.  Here's the clip showing the set-up: https://www.youtube.com/watch?v=AtykGx4sSms


Drawing Stage
I spent about 3 hours getting the measurements for the main elements down.  Here is a sped-up clip of that session: https://www.youtube.com/watch?v=9LqgdLL-RgY

Dead Colouring phase is where a 2-tone colour is put in place.  

After which, I take the art to a full finish. 

A Very Short Spring Break - part 2

So what did I do during the 2nd week of the very short break?  Plein Air painting!! All thanks to the fantastic sunny weather we've been having. I'm gearing up for the landscape painting workshop that I'll be assisting this coming summer. If you've missed seeing these on my Facebook Art Page, here's a look at some of what I did. 

Me and my trusty easel

 At Piazza del Duomo

On Via dei Neri

 Skyline of Florence from Ponte San Nicolo

Me and my trusty easel

If you are interested, here's a playlist of some of the time-lapse videos I did.

https://www.youtube.com/playlist?list=PLfRZA5YoSyNWYzjl5QSnosJ5Njht3FEmv

Don't forget to subscribe and share! 

A Very Short Spring Break - part 1

The Spring term begins shortly. The 2-week break came and went. 

During the first half of week one, I did my fair share of museum hopping in 2 cities - Rome and London. There is a special Sargent show at the National Portrait Gallery in London which will end during the course of the next trimester. So best to go during the Spring Break. And the verdict? I'm glad I went! And I'm grateful that London is a stone's throw away from Florence - only 2 hours gets you there on Ryanair. 

I was reminded during the last lecture of the Winter 2015 term of how Sargent was privileged enough to travel around the world to see original paintings.  Back then, the internet was not available, so one would have to travel to see great works of art.  And even now with the availability of coffee table books and online jpeg images, none of these come close to viewing the actual works.  I wasn't going to let this slip by. It was my first Sargent show and I was absolutely thrilled.  

Titled Portraits of Artists and Friends, the pieces here were more loose and experimental. Different from his formal commissioned works.  This allowed me to see how far Sargent could push his style.

Here are the highlights of my trip:

I did part of the Roma Antica way. One of my favourite pieces is in 

St. Ignatius Church which houses the frescoes of Andrea Pozzo. 

 

Big Ben across from St James's Park. 

The National Gallery, London, has a collection of over 2,300 paintings from id 13th century to 1900. 

John Singer Sargent's Show inside the The National Portrait Gallery. 

This piece, Sir Frank Swettenham I, isn't part of the special show which 

explains why I am able to take this photo. This work is similar to the one inside 

the Singapore National Museum.

In the evenings when the museums are closed, I'm glad the theatres aren't. 

This is inside the elaborate Lyceum Theatre where the Lion King is about to start.

There was a Singapore-Malaysian restaurant in chinatown called 

Rasa Sayang serving South East Asian food that I miss!

Spring Break 2015!

This is the time of the year where only 2 short weeks fall between 2 terms.  There is just enough time to breathe and recharge for the final trimester of the basic programme.  I'm packing in sleep, plein airs, urban sketching, museum visits in Rome, Sargent's exhibition in London, etc... basically stuff that I can't do while the term is in session. 

The first morning of Spring Break took me to Piazza Beccaria where the pretty Magnolia tree is in full bloom.  After parking my easel ned t to a mobile book vendor, it's sketch away!!! 

Quickly sketching in the scene

Blocking in the local colours

Magnolias at Beccaria

30cm x 40cm

Oil on Wood

Still life: The Chapati Press

I just completed a still life piece entitled The Chapati Press. I found out recently too that the Mexicans have a similar looking press for their tortillas!  3 weeks went by in a flash for this perishable piece.  

The 2014 movie The Hundred Foot Journey was the main inspiration behind this piece. The live-action movie reminded me of Pixar's Ratatouille. The theme was fairly simple - kitchen.  So I decided to sacrifice my chapati press to create the artwork. 

Music while working on this piece is mainly the soundtrack from the movie: https://www.youtube.com/watch?v=PSj9fM2qZjo

For a theme as broad as 'kitchen', I decided to focus on the compositional aspect of this piece instead.  The first thing that draws eyeballs to a painting is the visual - colour, design, shapes, etc.  It has nothing to do with the narrative or story.  It's all too easy to design a still life piece using stories. 

Using circles to unify the entire picture, the garlic, onion and lid of the press also form a solid triangle which gives us a sense of stability.  At the same time, the triangle keeps your eyes moving in an anti-clockwise direction, beginning with the bright red tomato, to the duller onion, and then up to the lid, bringing us down to the garlic and finally the flat breads shoot our eyes across and back to the tomato. 

Videos of the behind the scenes:

The Drawing Stage

https://www.youtube.com/watch?v=KYOan6uFuUk

Flat Colouring Stage

https://www.youtube.com/watch?v=gu0x2IdfKZA

The set up kept evolving during the course of the whole painting.  From the relocation of my models to how the shadow of the lights would fall. It's always handy to have web-action hero Spidey to my rescue!  

 Final set-up taking the piece to a finish. 

Playlist: Short pose

in ink

 using china marker 

with conte

This Winter has been filled with good short pose sessions and I've been putting out videos on my youtube playlist. Do look it up if you are curious as to how I sketch during these sessions. https://www.youtube.com/watch?v=pgr6pYh3pqE&list=PLfRZA5YoSyNWxFyvAGR_6x9A1CEy00Dlv

Never underestimate the value of a short pose session.  In just one session, you can see improvements between the first sketch and the last sketch. Guaranteed.

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If you are interested in getting my sketchbook of short poses, Figuring Out - the long and short of it, the link is right here:
https://www.booksactuallyshop.com/products/figuring-out-the-long-and-short-of-it